history

The cramped tiers of Paola’s ancient auditorium

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After the wonders of the mountains of Calabrian, it is back to the coast for a few days in Paola. Let me say at the start that Paola is utterly fascinating. It has grown up on the narrow strip of shore between the sea & the mountains. Beside the shore the modern part spreads in both directions with all the trappings of modern life – apartment blocks, schools, railway tracks & station. It doesn’t really count for much; just an ordinary, functional, modernish kind of town.

However, once through the arch into the first square, a delicious feast of ancient living awaits. with the old town spreading its tetra-blocked tendrils up against the perpendicular cliffs & gritty bedrock face of Calabria’s hard inside.

Our accommodation Is high up on the top tier of the balcony of some ancient theatre, dropping down tier by layer of concentric semi-circles, focused on the stage at the bottom formed by the duomo, a fountained piazza & celebration arch where all the historic action has taken place.

Running under the concrete piles of the top ring road, ancient, flaking tenements, some elegant, some requiring a bit of work, leave narrow spaces between their gloomy facades, so narrow that traffic lights are required to allow one line of vehicles through at a time.

This top road follows the contours of the cliffs surrounded by tall, grey-orche camouflaged, apartment buildings is connected to parallel tiers of lanes & alleys by a snakes & ladders set of interlacing stairs & steps.

It’s an easy decision to take the steps down to the centre of town. But it has to be remembered that there is always the coming back up. The steps are steep; going down takes 15 minutes; coming back up is an exhausting 30/45 minute work out. Who needs a gym membership? These lovely sprightly ladies have done it for decades, everyday of their lives.

Once inside this tangle of lanes & steps where time stops still, & the sun dares not shine but just appears in the distance as a promise that there is a way out, you can easily be overwhelmed by the past -. the stones, the tenements, the religious images painted on the walls, hanging washing, dark gloomy alleys, shadowed stairways, flaky facades & peeling doorways; they all present the past to those who live within and those who have the strength to traverse the stairwells.

Reminiscent of a Dickensian nightmare, it is a relief to emerge from the shadows into the brightness of an Italian spring.

Quintessentially French

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A circular route takes us into the high country. Narrow roads, so well maintained & surfaced clawed across the landscape to the far, faint horizon. Mixed woodland, girding its loins to begin the change from green to brown to bare, covers straight ridge lines and sharp-sided valleys across the spreading landscape in subtle shades and interlace their fingers like a congregation of parishioners about to settle into prayer.

The weather drops a very wet load on this land, particularly in winter when the snow & ice melt. Streams & rivers have cut & hacked away at the land over the years leaving evidence of the power at work in the form of gushing torrents, sharp ridge lines or bottomless ravines. Man does the best to cope with such obstacles, building bridges & settlements at suitable places in an attempt to tame it.

Villages are small and ancient; old lanes & trails, designed for another age when feet and the cart were the main form of transport, hug the valley sides or crawl to the top to peer over to follow the chicanes down to the distant settlement far down at the next crossing over a tumbling water course. In places, the old tracks can be seen cutting a bend or smooth modern tarmac has been layed over the ancient route, providing a wonderful course for speeding motorbikes. Settlements can be too small to even mention – a handful of houses clustered around a small church & maybe a graveyard, but some grew to be essential to folk of the time – around here it was to provide sanctuary and respite to those passing on the Pilgrim’s Trail.

St-Gervais-sur-Mare is a stunning little village that grew up in the 13th-century as a staging post on the route to Spain.

A largish village, it is dominated by the nave of the church of Saint-Gervai-Saint-Protais. Wide, ancient steps lead up past the arched doorway and historic dwellings to the ramparts & the château.

Peeking inside the historic church, an old lady follows us in and points out in local, incomprehensible French a side chapel containing a font made from the same marble as used in Versailles by French kings (I think!). She turns out to be the organist – having left through the front door, she appears up on the organ loft & proceeds to give a private rendition of some wonderfully poignant piece that echoes around this empty space, leaving emotions exposed and senses shredded.

The high spot of this place is the village square. stands on above a small river that runs through the middle of the settlement.

If any place is quintessentially French, it is here.

Elegant buildings form 3 sides, with the Post Office, two bars & a hotel tucked into one corner & at the other corner of the same side a second bar;

empty tables with rather ornate chairs, cushions piled up under cover, await ’the rush’ (although, I’m not sure there’s going to be one any time soon)

a war memorial reminds everyone of the nation’s past; shade is provided by staggered plane trees – high & impervious to sunshine & showers.

To complete the scene an old couple come out for a game of petanque, chatting away and traversing across the crunching stones between camouflaged trunks, clunking their boules as they go…. all so French!